Time we don’t have and don’t take. Time we can’t get back and most crucially time we can never acquire…I knew nothing of Valeska Soares and her art but how apt that her works poetically speak of time and memories. Since I saw her exhibition at Phoenix Art Museum, her pieces have lingered on my mind so much that I am in no danger to ever forget her name. And her world might just bring you a welcome dose of mindfulness as we all get ready for a bit of summer madness…before it’s time to face school supplies again.
Visiting Christopher Puzio’s Studio was a real treat: his work plays a lot on the “frame the view” concept, a key sub-line from the beginning of Reinventingrid, back in January 2017. That is how my eye travels: I simply love capturing in pictures how some art installations encapsulate what lies around them. Bringing the world to attention… San Diego is incredibly fortunate to have many Christopher Puzio works around. All have this uncanny versatility of framing a view while opening up space. He is literally, and figuratively, drilling on what an open work can be.
It comes as no surprise that Iris van Herpen interned with a fashion genius like Alexander McQueen. What is more surprising is that, Iris, age 36, a young Dutch designer who has been making fashion for the past 10 years, is already the subject of an exhibition/ retrospective at the Phoenix Art Museum. I use the word retrospective here due the sheer magnitude of her body of work and the unique creative mind she brings to each and every one of the dresses she conceives and creates. Fully at the intersection between couture, sculpture, science and technology lies…the art of her fashion!
The art of Howardena Pindell makes for an explorative journey of the difficulties she encountered as an artist of color in the US, yet this is all wonderfully retraced in her current retrospective held at MCA Chicago. Entitled What Remains to Be Seen, the exhibition shows how her artistic experimentation is deeply rooted in the interaction she observes between dots and grids, two elemental forms she has used since the Space Frames she started with as an artist in the late 1960s.
How wonderful to hear I was nominated for the Sunshine Blogger Award by a lovely fellow blogger. I am really touched and so grateful to receive this award. It is also a great opportunity for me to share and answer a few personal questions, as part of the award. The blogging community is full of interesting personalities, always ready to share creativity and knowledge. WordPress makes it easy as an incredible platform to share ideas around and learn from people with similar interests all over the world. I am thrilled to make this award an opportunity to show my appreciation and support to some of my favourite bloggers. I was nominated for the Sunshine Blogger Award by the lovely Elena from Your Beautiful Journey blog. Thank you so much Elena, for all the positive energy and mindfulness you bring to each and everyone of your posts! In the nomination, Elena asked a few interesting questions that should be answered by those accepting the award, so here we go, one by one: What was the first book you read or the first book that made a real impression on you? I remember being about 10 when my Mum allowed me to […]
We all recognize the flags, targets, numbers or colors, these motives Jasper Johns has used in his art since the mid 1950s. They are omnipresent signs in our everyday life. We are drawn to them instinctively as they are instantly recognizable and neatly sum up abstract concepts we may find hard to describe with words. We see the signs but are we fully awake to the concepts? Try this with the American flag, for instance. If you think about it long enough, one ideal and many ideas are encapsulated in this flag…
Not only are Mark Bradford’s typical works monumental in vertical and horizontal scale, they are also layered, built-up thick, oozing a palpable density. These layers can be pages from old comic books, newspaper prints, all glued down and up with shellac. Mark Bradford then works on taking his paper strata from collage to decollage.
I have never really been a fan of Damien Hirst. Or rather I have always felt attraction and repulsion in equal part, without understanding what the hype was about. Yet I am one prepared to give the benefit of the doubt, do some research to form an educated opinion. Since I have done it for Jeff Koons here, I went to look at Damien Hirst’s Veil paintings. Oops, he did it again! 24 monumental canvases, visual eye candies for sure and which sold out almost immediately. Easy work, easy sell, what’s not to like, right?? Well, for a start Damien Hirst cites Seurat’s pointillism and Pierre Bonnard’s approach to colors as main inspirations for his Veil Paintings at Gagosian Beverly Hills.