This is the story of a 100-year old “Living Room” in Williamsburg. An old lady used to live in the apartment but one day, the landlord got the place back, still filled with objects left behind, after life had moved on. Quite good timing for Mr. Landlord, for he had issues at a nearby property he leased to artist Miriam Cabessa. Miriam’s studio was plagued with leaks, requiring more than quick fixing. The landlord suggested she moved temporarily into this nearby apartment so that a plumbing overhaul could be done at her studio. What could have been a big hassle for Miriam turned into an immersive exploration of her art practice. I say practice in the same way one talks of practicing yoga or meditation. Because yoga and meditation are so much more than an exercise class you go to. Miriam settled in her new abode, unpacked her black paint and brushes. Then she paused. She breathed in all the visible remnants from the former tenant: a vintage suitcase, an armchair, a serving tray. Miriam paused, full of breath and started cleaning and tidying, yet unable to erase or let go. So she started to paint over it all, slowly, […]
One quarter mile was the exact distance between Robert Rauschenberg’s house on Captiva Island and his artist studio. As a distance, it is neither long nor short; more like a healthy buffer or decompression zone to move between personal and professional spaces without bringing the frustrations of one into the other. But I have to wonder, does this concept really work for Rauschenberg, an artist who famously declared acting in the “gap” between art and life?
Frédéric Amat is a Barcelona-based artist creating striking murals. It was a real treat to encounter them during my recent trip to Barcelona and I must admit they have been hard to shake off my visual memory. Thanks to my dear friend Natalia, I was able to set up a remote interview with Frédéric to shed more light on his inspiration, processes and projects. Reinventingrid: Let’s start with Mur d’Ulls (2011). You installed 1000 ceramic eyeballs onto the facade of Hotel Ohla and these eyeballs are all directed in many different directions. Is this about our society being under street surveillance and the fact that we are watched in many ways without realizing? Is this a theme you are preoccupied with and trying to fight it with art instead of real surveillance cameras? Frédéric Amat: Your commentary about surveillance is very clever, and it is one of the evocations present in this work but not the only one. Back in the days, this building was a department store, then a police station and today it has been converted, again, into a hotel at the junction of two of the busiest streets in Barcelona. My project was to resolve the skin […]
What is the difference between Temporary and Contemporary Art? For starter, there is this brilliant quote rightly pointing out that ⅔ of Contemporary is actually Temporary. Both types of art filled the largest part of my summer viewings in Europe while I spent the other part writing about the Art of the Renaissance for my Oxford studies. Quite a cerebral stretch, I tell you, but it got me thinking about the status of the artist in particular and what threat or opportunity Artificial Intelligence can represent for Art.