If you could turn back time, if you could find a way…OK, before you hold me responsible for conjuring an image of Cher singing (mea culpa), tell me one thing…Do you think you could live with a beautiful sunrise permanently happening inside your own house ? How about if YOU could make the geology of a landscape appear just by moving in front of it? Could your mind comprehend the multiple strata built by 4.6 billion years of Earth works, if they were shown to you as a small compressed sculpture? And just before you go, what about crystallizing altar wine, ie: the blood of Christ? All these questions are dealt with by Adam Belt and his new body of work exhibited at Quint Gallery in San Diego until July 6th. All these questions deal with Light, Space, Time and the Divine. Quite an ambitious mix if you think of it yet Adam Belt keeps on pushing the boundaries of the Light and Space art movement started in the 1960’s by Robert Irwin, James Turrell and Larry Bell – a holy trinity of artists, if there was only one. To Light and Space, Adam Belt adds Time as if it […]
Frédéric Amat is a Barcelona-based artist creating striking murals. It was a real treat to encounter them during my recent trip to Barcelona and I must admit they have been hard to shake off my visual memory. Thanks to my dear friend Natalia, I was able to set up a remote interview with Frédéric to shed more light on his inspiration, processes and projects. Reinventingrid: Let’s start with Mur d’Ulls (2011). You installed 1000 ceramic eyeballs onto the facade of Hotel Ohla and these eyeballs are all directed in many different directions. Is this about our society being under street surveillance and the fact that we are watched in many ways without realizing? Is this a theme you are preoccupied with and trying to fight it with art instead of real surveillance cameras? Frédéric Amat: Your commentary about surveillance is very clever, and it is one of the evocations present in this work but not the only one. Back in the days, this building was a department store, then a police station and today it has been converted, again, into a hotel at the junction of two of the busiest streets in Barcelona. My project was to resolve the skin […]
Seeing two Miró tapestries making the news for being restored in record time to make the opening of a focused exhibition in Venice after the Serenissima suffered one of its worst floods in years, reminded me of all the beautiful tapestries I have recently had the privilege to put my eyes on. Perhaps we too often think of tapestries as an antiquated art form, hovering on the walls of darkened galleries, so I am hoping to change your view just a little, after I share a few of my recent art adventures in pictures. But before we get to this beauty…
I flew half way around the world, from California to the French Riviera. Why?? You’d be very right to ask. The weather is just as great, the food a bit better but the same Le Grand Bleu experience awaits. If you must know, I went there because of…soccer! Along the way I explored many museums and countless foundations. One of them is Fondation Carmignac, on the island of Porquerolles. A corporate foundation created in 2000 by Edouard Carmignac, it boasts a colorful contemporary art collection and supports the Photojournalism Award which rewards an investigative reportage each year. Nested on the island of Porquerolles, the vistas are breathtaking. Enjoyed during an artful treasure hunt in the gardens where monumental site-specific sculpture installations are scattered, Mediterranean landscapes also come round from the gallery space, perfectly framed by ribbon windows à la Le Corbusier. I found it impossible to resist the azur of the Mediterranean sky set against the delicate greens of shrubs and pines. Porquerolles being an island, the water theme is omnipresent in both the architecture of the Fondation space and the artworks in the collection. The movie The Big Blue comes to mind often, particularly as the open skylight of […]
Kelsey Brookes is a San Diego artist who has beautified my common errands and end of yoga practices for some time: how can you resist his striking mural in La Jolla? A monumental mandala of gorgeous colors soaring to my almost permanent blue sky, I always find comfort in its all-over unstoppable growth pattern. It spells “life” in concentric circles and ripples but the art of Kelsey Brookes is definitely not as happy hippie as you might think. A spectacular new show at Quint Gallery will be showing just that, starting this Saturday September 29, 2018. With mandala-like patterns reminiscent of the world system symbolically represented in Hindu and Buddhist artistic practices, radial motifs simulate the invisible force we all depend upon: life. Color patterns and symmetry make for a meditative experience; when made of sand, mandalas remind us all of our impermanence. Personally I am in awe of the time and patience such beauties require. No wonder mandalas are often associated with cosmic experiences and transcendence. And that is definitely something Kelsey Brookes channels with his art. Yet with the concept of transcendence come two directions: will you seek to elevate yourself to an out of body experience and aerial […]
What is the difference between Temporary and Contemporary Art? For starter, there is this brilliant quote rightly pointing out that ⅔ of Contemporary is actually Temporary. Both types of art filled the largest part of my summer viewings in Europe while I spent the other part writing about the Art of the Renaissance for my Oxford studies. Quite a cerebral stretch, I tell you, but it got me thinking about the status of the artist in particular and what threat or opportunity Artificial Intelligence can represent for Art.
Honoured to travel with the San Diego Museum of Contemporary Art, I had the opportunity to lunch and look into Nick Cave’s eyes last week. What struck me besides an incredible kindness, was the intensity of those eyes. They translate his double vision of the world perfectly: how intensely he sees and feels the divides plaguing our society and how resolute he is to shake this, with a dance and many Soundsuits.
Time we don’t have and don’t take. Time we can’t get back and most crucially time we can never acquire…I knew nothing of Valeska Soares and her art but how apt that her works poetically speak of time and memories. Since I saw her exhibition at Phoenix Art Museum, her pieces have lingered on my mind so much that I am in no danger to ever forget her name. And her world might just bring you a welcome dose of mindfulness as we all get ready for a bit of summer madness…before it’s time to face school supplies again.