Do yourself a favour, go see a point of view from Saudi Arabia that’s mainly ignored by the media these days. Pause by Abdulnasser Gharem is at LACMA. Rush to it before it closes on July 2, 2017. Here is why… September 11, 2001 changed the world as we knew it, for all of us. And here it is, creeping in, the “us” which goes with, or rather against, “them”. The self-perpetuating lack of understanding feeding only more violence. That knee-jerk reaction of protecting ourselves by closing off when we are in a state of shock and feeling under attack. We can’t begin to understand what happened and is still going on to this day… Don’t you wish we could hit Rewind and Stop? Erasing the bad dream… Instead, hit Pause at LACMA and look intently at Abdulnasser Gharem ‘ s powerful perspective. Gharem is from Saudi Arabia. He is a Muslim, an Arab, a lieutenant colonel in the Saudi army and he discovered that two of the 9/11 hijackers were old classmates.
In the 1960’s, Yayoi Kusama’ s Infinity Nets were her very personal response and contribution to a New York art scene populated by Jackson Pollock’s drips, Barnett Newman’s zips, Rothko’s Color Fields… But as seen in a recent post, Kusama’ s nets were born out of her hallucinatory visions, her Abstract Expressionism being an artistic fighting mechanism against psychological self-obliteration. A self-declared “obsessional artist”, Kusama lives her art inside her own head and seems to breathe it onto canvas and soft sculptures. It was only a matter of time before using small finite rooms became another visual expression and representation of her troubled psyche. It started around 1965. Kusama’ s Infinity Rooms are small yet they open up an infinite sense of space as mirrors reflect lights, objects and viewers in all directions.
Over the last few weeks, it’s all been monumental scale with the works of Yayoi Kusama or Richard Deacon (still showing at SDMART until July 25, 2017 – click the link for more info). Today, let me shrink your world to the size of a netsuke 🙂 Netsuke are very small in size (1-1.5 inch / 2.5- 3.8cm, think smaller than your thumb) and yet they are probably more exquisite in details than anything I have ever seen. Even the world of jewels that I know so well can look static and stiff compared to the movement and life that netsuke convey. During my recent trip to Japan, I visited the Kyoto Seishu Netsuke Art Museum. With netsuke being so small, forget about grand scale architectural landmarks: the word “museum” takes on a very different connotation. I entered the only surviving samurai house in Kyoto, dating from 1820. I stepped back in time, or rather stooped.
The art of Yayoi Kusama is bold, colorful and extremely popular these days. People flock to her exhibitions, kids play in her dotted pumpkins and everybody marvel at the magic of her infinity rooms. Yet, Kusama’s underpinning story is extremely dark. I am actually surprised that many people never go beyond the fun visuals that her vibrant use of colors infuses. I wanted to rectify this a little and take you down the path of her self-obliteration…Don’t be frightened, she makes it a visual feast!
Like last week, I am playing with Spark Page to share strong visuals I recently experienced on the Second Avenue Subway line in New York City. Make sure to visit these striking permanent art installations by renowned artists Chuck Close and Sarah Sze (Part 2, this week) and Jean Shin and Vik Muniz (Part 1, last week) when in New York. At 86th Street, I met a member of staff who proudly showed me his picture taken with Chuck Close in front of one of his mosaic work. These art installations definitely made him re-think his appreciation of his working environment…something that should apply pretty much everywhere for everybody’s benefit. Please click the link below and enjoy the ride! https://spark.adobe.com/page/dDwPrItKfsYho/ © 2017 Ingrid Westlake All pictures by Ingrid Westlake, unless otherwise stated.
This week and next, I am playing with Spark Page to share strong visuals I recently experienced on the Second Avenue Subway line in New York City. I hope you will enjoy the pictures and go visit these striking permanent art installations by renowned artists Jean Shin and Vik Muniz (Part 1, this week) and Chuck Close and Sarah Sze (Part 2, next week). Please click the link below and enjoy the ride! https://spark.adobe.com/page/VSTzqOrHVAQ5j/ © 2017 Ingrid Westlake All pictures by Ingrid Westlake, unless otherwise stated.
I often hear my associations of ideas are off-beat or décalé (or off-the-wall, depending on how polite you are :-). So let me throw you at the cross between yoga, running and art and see what you think! To me, breathing is at this intersection on my grid – often underestimated, so underrated yet ESSENTIAL! I practice yoga 3 times a week, no matter what. I am also half way through my marathon training program. So let’s just say I have learnt to pay attention to breathing because my life (an your life) depends on it 🙂 There is a meditative quality to breathing that helps me get through the discomfort of a crescent lunge on my weaker side or the pain that usually comes without a fail after running 17 miles. I made breathing a life tool and a habit but like most things, I refused to make it bland. My wonderful yoga teacher Karoll B. uses the visualisation of a ball of color that I can match with my mood or my needs of the day. It works wonders and allows me to power through most days! So much so that I found myself thinking of my yoga practice, breathing and […]
If you think about Seurat, dots should be the next word popping into your mind. My 5th grade daughter and her class made their own version of Seurat’s The Channel at Gravelines, Evening to be auctioned at the school gala. They used a multitude of dots to recreate local and illuminating colors and paid a brilliant homage to Seurat. He formalised scientific discoveries on color theory as a systematic approach applied to his painting technique. His breakthrough was termed Pointillism and was achieved with just six major paintings that are so familiar to all. He did not have time for more: he died aged 31.